It will record continuously for as long as you like (until your SD card is filled). This was because the Panasonic GH4 breaks its footage into a series of six-minute files. But when I did that I found some problems in synchronizing. I had thought that my first step after importing the footage would be to create a multi-cam source sequence. This makes it easy to select different camera angles while playing back the footage. This synchronizes the footage from all the cameras (and the audio) and allows you to see the footage in Premiere’s Multi-Camera view.
#Multicam editing premiere cc pro
One of the key steps in editing multi-cam footage in Premiere Pro is creating a Multi-Camera Source Sequence (MCSS). Preparations for Creating a Multi-Camera Source Sequence It’s also important to set things up appropriately for your situation so that the rest of the editing process will work smoothly. I learned that there’s a lot more setup work involved in creating a multi-camera editing project than for a single-camera shoot.
I used a separate audio recorder which was connected to a feed from the room’s sound system. One camera (a Panasonic GH4) was focused exclusively on the speaker another camera (GH4) was fixed on a large projection screen showing the speaker’s slide deck and the third camera (Sony PXWZ150) alternated between the speaker and shots of the audience. I’m going to focus on a shoot I did of a two-day conference ( Citizens’ Climate Lobby Southern California Regional Conference) in which three cameras were used for the plenary sessions.
There may be better approaches (perhaps, using nested sequences?) but for my needs the procedure described below was flexible and reasonably efficient. In this post I’d like to share what I learned. After a couple of false starts I came up with a process that worked out quite well. I did a couple of multi-camera shoots recently which required me to devise a more complex editing workflow than most of the shoots I’ve previously worked.
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